Modify reverb characteristics within a mixed recording.
Attenuate or boost the level of reverb components in mixed signals.
Dialog editors, mix engineers for music and film, music producers as well as sound designers will make good use of this tool! " As it turns out, the process is not limited to processing reverb, but can bring out or move back the key elements of a recording nicely. Not so with UNVEIL, which effectively "listens" to your signal and discerns which parts of the signal are reverb, much like a human would, and then allows you to manipulate just those parts, even when processing mono sources. "Existing de-reverberation strategies either manipulate signal dynamics, require specific channel formats, are limited to certain signal types, or all of the above. "Removing reverb from recordings has always been difficult, if not impossible.
Mix and mastering engineers can bring key mix elements into focus by attenuating components commonly referred to as "mud".
Sound designers and foley artists can remove reflections and ambience from sub-optimally captured sounds.
Music producers can turn drum-loops rich in reverb into dry recordings, and vice-versa.
Film mixers and dialog editors can remove reverb from dialog and location sound, reducing the need for dialog replacement and foley, and match reverb amounts across different takes or perspectives.
Audio engineers can attenuate reverb in recordings, gaining flexibility both in microphone placement as well as mix-down.